Wednesday, July 21, 2010

Finding Wondla


I read In Search of Wondla by Tony DiTerlizzi while backpacking through the dramatic fjord region of Norway this summer. While our heroine, Eva Nine, is thrust into the foreign and fantastical world above her underground sanctuary, I was wandering around lands strange and unusual to me, too. I didn't come across four winged birds or ambulatory trees, but there were reindeer and vikings. I think we were equally awed by the expansive sky though, as only a girl living underground and a New Yorker could have been.

DiTerlizzi has built a world both replete with unknown natural organisms and technology we still only dream about. Take Eva's omnipod- dangerously close to resembling an iPod, this device can scan living organisms, project holographic displays, x-ray, and is accessed exclusively through voice control. It syncs with the sanctuary, a non-evil version of Ray Bradbury's mechanized house in "The Veldt," and Eva's maternal robot, MUTHR. DiTerlizzi also feeds our techno-obsessed imaginations with Wondla vision, periodic icons that interact with a computer plug-in to generate a map of the region: http://wondla.com/wondla-vision.html While it serves as a great hook for reluctant readers, this add-on is not a necessary component for reading the book.

How capable our technological devices will become is a different question from how much they will feel. MUTHR`s Artificial Intelligence is logical for most of the book- displays of affection explained by her programming. However, near the end of the book MUTHR expresses both despondency and pleasure. She describes enjoying experiences. While this further develops her relationship with Eva, it also blurs the line between living creatures and machines. The plausibility is questionable but makes for great discussion questions!

Wondla is a homage to Frank L. Baum's The Wizard of Oz. Both books feature a lost heroine searching for her physical home who discovers that home is just another word for family. Both girls are orphans being raised by well-intentioned surrogates. Both are flat in their goodness but rounded out by their longing for meaningful relationships. Even Toto is present albeit much, much larger in his Wondla incarnation. Wondla can be read with no prior knowledge of Dorothy's adventures in Oz, but readers of the Oz books will enjoy parallel after parallel.

It doesn't take long for the reader to realize that Eva's story is much larger than the book at hand. This is essentially a set-up novel introducing us to the world of Orbona. Frustrating, if you expect every conflict to be resolved, but exciting if you are a series addict like me.

Friday, April 16, 2010

Waste Not, Want Not


Winter, Jonah. Here Comes the Garbage Barge. Illustrated by Red Nose Studio. Schwartz and Wade Books, 2010. 32 pages. PLB $17.99, 978-0-375-85218-3


"Garbage. Big, heaping, stinking mounds of garbage." Children will immediately be drawn in by the absurdity of this true story about the ill-fated journey of Long Island's garbage barge, a boat full of 3,168 tons of garbage. Jonah Winter's fictionalized version of the story stars Cap'm Duffy as he navigates from port to port attempting to pawn off Islip's garbage on towns up and down the eastern seaboard. News quickly spreads, and the barge is unable to dock for 162 days, eventually returning whence it came to incinerate the garbage in Brooklyn.


The writing is uneven when the narration becomes overly familiar- phrases like "see, this guy..." and "Clever, huh?" are an attempt at developing a New York voice that seem out of place in the rest of the book. Red Nose Studio's innovative photographs are composed using mixed media puppetry in theatrical scenes. The attention to detail and expressive, sometimes comical faces make the book visually rich. However, the double-breasted suits, Italian names, accented speech, and shadiness of Mr. Stroffolino's character are obvious stereotypes. Likewise the depiction of Mexicans and Belizeans as militants demonstrates questionable cultural sensitivity and expertise. This weakens the impact of Winter’s ultimate message- don’t make so much garbage.


The informative author's note adds much to the value of the book, but is structurally misplaced at the beginning. Readers turning the last page are left with an impression of the Cap'm sailing towards home leaving the focus on his individual experience. Teachers and parents would do well to turn back to the author's note at the end to discuss the impact of the garbage barge fiasco on Islip's recycling and waste-to-energy initiatives.